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You are here: Home / Stephen Summers

Stephen Summers

‘I am… ‘ (audio bio in 19 seconds)

Science communicator, musician & composer.
Scavenging dead tech into playful contraptions and arcane instruments.

  • Interactive installations, upcycled instruments & controllers, science & art
  • Composition & soundtracks; sound design, audio recording & production, acoustic & electric cello
  • Performance; stage shows, demonstrations, musical improvisation
S.Summers



I said Shut It

I said ‘Shut It’

Scrapbook mix of original audio, first released on Loskop Radio in 2022, now remixed in sections with extra road drill for 2024/2025. Part 4 released March 2025.

This is quite strange. If you aren’t familiar with strange music, you might find it strange.

Listen here


Stand by your Manesta

A playful and interactive celebration of civil disobedience, inspired by the fascinating story of suffragette Evelyn Manesta.


Eternal Cosmic Heat Dissipation

Electroacoustic work, using 3D recordings of heat sinks and hacked hard drives in a big IBC tub.

Listen here

Eternal-Cosmic-Heat-Dissipation

Deep Sea Drones – 27 minutes

This mix is very minimal, so you might get bored. It’s atmospheric and dark, so you might get scared. It’s very deep, so please observe safety precautions if listening in the bath.
Caution: the first half can be very quiet at times, as we descend through the upper regions, but as we sink into the dark depths the bass is low and powerful, so watch those woofers don’t blow.


The Acousatron

A Terrifying, Interactive, Upcycled Noise Contraption

The Noisy Toys mothership has been evolving and reincarnating since 2010. There’s plenty on this site about it, but nothing can prepare you for the chaos, the noise and the bass.

Acsatron Eurka 2021

The Well Tampered Clavier

Live performance on the Discarnate Heart of the Acousatron installation; a very prepared piano, with a few bits & bobs and an impact driver. This performance at Manchester Theatre in Sound (MANTIS) festival in 2017 was also repeated in 2024.


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